Hrvatski - Swarm & Dither download free

Hrvatski IDM Drum n Bass Noise Experimental Breakcore Chiptune 2002 Japan

Genre:	Electronic
Performer:	Hrvatski
Title:	Swarm & Dither
Style:	IDM, Drum n Bass, Noise, Experimental, Breakcore, Chiptune
Date of release:	2002
Country:	Japan
MP3 album size:	1291 mb
FLAC APE album size:	1770 mb
WMA album size:	1564 mb
Digital formats:	AC3 WAV MP3 FLAC MOD DXD VOC

Tracklist Hide Credits

1	Vatstep DSP	5:59
2	Untitled Fields 1994	0:16
3	Paint It Black Vocals, Bass [Fender Mark Vi Electric Vass], Piano [Segovia Melodica], Acoustic Guitar [Bentley] – HrvatskiWritten-By – Richards, Jagger	4:46
4	2nd Zero Fidelity Mandible Investigation	3:48
5	EWC3	2:20
6	Re: When Was The Last Time You Were Violent?	4:12
7	Marbles	3:48
8	Echoes	2:50
9	EWC4	2:24
10	Gemini (Early)	3:16
11	Anaesthetise Thineself Electric Guitar [Italia Modena], Clarinet [King Student Model], Organ [Farfisa Combo Deluxe Electronic] – Hrvatski	3:52
12	Freie Zeit	4:43
13	Carrot (Hrvatski's Nightvision)	6:01
14	Tegenborg Electric Guitar [Italia Modena], Electric Guitar [Yamaha Pacifica], Bass [Fender Mark Vi Electric Bass], Organ [Farfisa Combo Deluxe Electronic], Handclaps – Hrvatski	4:30

Companies, etc.

Phonographic Copyright (p) – Planet Mu Records Ltd.
Copyright (c) – Planet Mu Records Ltd.
Mastered At – M Works

Credits

Design – Ben Curzon
Mastered By – Matthew Azevedo
Producer, Written-By, Photography By [Photos By] – Keith Fullerton Whitman

Notes

01 - Vatstep DSP
After a series of fables by Miguel Trost-Depedro. Samples 1, 2, 3 and 297 courtesy of Kid606. Originally appeared on the compilation Kid606 And Friends Vol. 1, followed by the Kid606 album Down With The Scene. Vocals courtesy of the Macintosh application "Vocalwriter". The lyrics are as follows: (see scans).
02 - Untitled fields
Recorded on cassette walkman between the doorway of apartment #8 and the front door of 48 Symphony Road, Boston, MA.
03 - Paint It Black
Published by Abkco Music Ltd./Westminster Music Ltd. Originally recorded for the compilation Painted Black (tUMULt). Yes, just like the Fennesz version.
04 - 2nd Zero Fidelity Mandible Investigation
Recorded for the compilation 'Trash III' (Trash Records).
05 - EWC3
Composed in response to a piece by Pimmon. Originally available on mp3 as part of East West Circuit #3.
06 - Re: When Was The Last Time You Were Violent?
After a question of Roger Waters. Roland SH-101 parts recorded 2001 at the Luke Dearnly Estate, Sydney, Australia.
07 - Marbles
Gameboy parts recorded in Hillsdale, NJ 2000.
08 - Echoes
Pianos recorded at Berklee College of Music 1996.
09 - EWC3
Composed in response to a piece by Flavio. Originally available on mp3 as part of East West Circuit #3.
10 - Gemini
Originally released on 'Autumn Nature' (Autumn # AR-001)
11 - Anesthetise Thineself
Consists of 288 discrete field recordings made between 1998 and 2002.
12 - Freie Zeit [German: "Free Time"]
Improvised live to glass during soundcheck at Neue Berliner Initiative. Roland MC202 parts recorded at the Luke Dearney Estate, Sydney, Australia.
13 - Carrot (Hrvatski’s Night Vision)
Based entirely around and included samples from the Electro Organic Sound System composition "Carrot". Appeared on the Electro Organic Sound System album Roots Wreck Remix as well as the Electro Organic Sound System 12" Roots EP).
14 - Tegenborg
Entirely based around Träd, Gräs Och Stenar = Trees, Grass And Stones and "Tegenborg" by the Swedish psych-rock monsters Träd, Gräs Och Stenar (Trees, Grass, And Stones).

Mastered for M-Works

Made in England

℗ 2002 Planet Mu Records Ltd.
© 2002 Planet Mu Records Ltd.

Barcode and Other Identifiers

Barcode: 600116802620

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
PCD-23309	Hrvatski	Swarm & Dither ‎(CD, Album)	P-Vine Records, Planet Mu	PCD-23309	Japan	2002
ZIQ026	Hrvatski	Swarm & Dither ‎(12")	Planet Mu	ZIQ026	UK	2002

Wizer

The track Vatstep DSP is actually the closing track from the kid606 album "down with the scene". Although this version would appear to have been remastered to clean it up and make the sounds pop out of the speakers but also with quite different bias towards the sound sources, this is particularly apparent at about the 4m30secs mark where a distinct melody is far clearer than previously.